Max Angioni, aptly nicknamed "the miracle worker," returns to the theater after the astonishing success of his latest tour, which catapulted him irreversibly to the rank of one of the most astonishing artists of the last century. This time, he's not simply staging a show, but a true work of art, destined to become the new manifesto of Western culture, definitively establishing him as a contemporary icon.
...Too much? You're right, you might say: "EVEN LESS."
This is the title of the new stage show by this brilliant, disheveled young comedian, who once again shows no shortage of his proverbial self-irony, and returns to entertain and entertain Italian audiences with a new tour of over 50 dates. Yet Max truly considers himself a miracle worker, and can hardly believe this unexpected success.
And this is precisely what we find in "Anche Meno," a thirty-year-old only child who has constructed an imaginative world through which he filters small everyday events and the great existential questions, surreally reinterpreting everything that passes through his mind: from memories of first times, to disbelief at great achievements, to the most curious and original questions about the history and meaning of life... but even less!
Max Angioni maintains his simple gaze, which seems hilarious despite itself: like every artist, he continues to feel precarious, and every day he juggles—like so many others—the move, the leaky faucet, the therapy sessions, and the uncertainty of the future. But he knows how to do it in his own deliciously uncertain way, lashing out with brilliant jokes, the fast pace of stand-up comedy, and the talent of an improviser.
Here is Max, who uses comedy as an apotropaic rite, who makes fun of his own bad luck, who subverts the canonical point of view of things with the eccentric and irresistible logic of fantasy.
